Filmed over fifteen years, _Deuses de pedra_ (_Gods of Stone_) paints a portrait of a rural community along the historic border between Galicia and Portugal. Through the eyes of Mariana, a young girl growing up immersed in local stories, legends, and folklore, the film explores the ties between past and present, belonging and change. As the story unfolds, the magic of tradition is confronted wi...
Samuel lives in Ponta Negra, a small fishing village on the coast of Paraty, Brazil. Following the boy and his family over the course of six years, the film gradually reveals a more complex reality and its inherent contradictions. The arrival of electricity and tourism crystallizes the dismantling of an idealized paradise, painting a nuanced portrait of contemporary Brazil.
To reflect on the 500-year anniversary of the Spanish conquest of Mexico in 2021, director Reyes offers a bold hybrid cinema experience exploring the brutal legacy of colonialism in contemporary Mexico. Through the eyes of a ghostly conquistador, the film recreates Hérnan Cortés' epic journey from the coasts of Veracruz to the Aztec capital of Tenochtitlan, the site of contemporary Mexico City....
In a working-class neighborhood of Paris, high school students and other young people living in the nearby social housing gather in a small public square over the course of a spring. A documentary shot between 1977 and 1978 and re-edited by the director in 2022.
Everything Everywhere Again Alive
Duration: 1h12In the early 1970s, Keith Lock moved to the hippie community of Buck Lake, north of Kingston, Ontario. He went there to join members of Toronto’s underground scene, capturing the daily life of a horizontal, ideal society, free from urban oppression. The result is one of the masterpieces of Canadian experimental cinema, but above all a free-spirited film that challenges the very idea of freedom.
97-year-old antifascist fighter Sonja was one of the first female Yugoslav Partisans and a member of the resistance in Auschwitz. By listening to Sonja’s stories, we travel through the landscapes of her revolutionary past, as her memories start to intertwine with the filmmakers’ own confrontation with the rising fascism in Europe today.
A group of young filmmakers ask residents of Casablanca for their opinions on Moroccan cinema as part of a film project. During the shoot, a dispute breaks out between a dockworker and his superior, resulting in the accidental death of the latter. Having captured the incident on film, the crew begins to question the man’s motives and reflect on the role of cinema in society and the forms it can...
La vie est immense et pleine de dangers
Duration: 1h20Cedric is eight years old. One day, he has stomach pains. During the following six months, he will mostly live in a small unit for children suffering from cancer, on the fifth floor of the Institut Curie in Paris. His words and the story intertwine with those of Steve, Dolores and the other children. Cedric will lead us each time a bit further, through all the trials that he'll face until his r...
With _Antoine_, filmmaker Laura Bari treats us to a sensitive portrait of a six-year-old boy, one like any other, except that he’s blind. We follow Antoine in his classes, playing with friends, skating, and visiting family. We accompany him on imaginary excursions as a detective, listen to him as a radio host, and sit shotgun as he drives his parents’ car. Antoine allows us access back into chi...
With lush and intimate photography, Wojciech Staroń documents his family's move from Poland to Argentina. Struggling to adapt in a foreign country, his 8-year-old son Janek finds a friend in Marcia, a grounded 11-year-old Argentinean of Polish descent. With a strength and determination well beyond her years, Marcia must help make ends meet while holding her family together.
Filmed over fifteen years, _Deuses de pedra_ (_Gods of Stone_) paints a portrait of a rural community along the historic border between Galicia and Portugal. Through the eyes of Mariana, a young girl growing up immersed in local stories, legends, and folklore, the film explores the ties between past and present, belonging and change. As the story unfolds, the magic of tradition is confronted wi...
Samuel lives in Ponta Negra, a small fishing village on the coast of Paraty, Brazil. Following the boy and his family over the course of six years, the film gradually reveals a more complex reality and its inherent contradictions. The arrival of electricity and tourism crystallizes the dismantling of an idealized paradise, painting a nuanced portrait of contemporary Brazil.
To reflect on the 500-year anniversary of the Spanish conquest of Mexico in 2021, director Reyes offers a bold hybrid cinema experience exploring the brutal legacy of colonialism in contemporary Mexico. Through the eyes of a ghostly conquistador, the film recreates Hérnan Cortés' epic journey from the coasts of Veracruz to the Aztec capital of Tenochtitlan, the site of contemporary Mexico City....
In a working-class neighborhood of Paris, high school students and other young people living in the nearby social housing gather in a small public square over the course of a spring. A documentary shot between 1977 and 1978 and re-edited by the director in 2022.
Everything Everywhere Again Alive
Duration: 1h12In the early 1970s, Keith Lock moved to the hippie community of Buck Lake, north of Kingston, Ontario. He went there to join members of Toronto’s underground scene, capturing the daily life of a horizontal, ideal society, free from urban oppression. The result is one of the masterpieces of Canadian experimental cinema, but above all a free-spirited film that challenges the very idea of freedom.
97-year-old antifascist fighter Sonja was one of the first female Yugoslav Partisans and a member of the resistance in Auschwitz. By listening to Sonja’s stories, we travel through the landscapes of her revolutionary past, as her memories start to intertwine with the filmmakers’ own confrontation with the rising fascism in Europe today.
A group of young filmmakers ask residents of Casablanca for their opinions on Moroccan cinema as part of a film project. During the shoot, a dispute breaks out between a dockworker and his superior, resulting in the accidental death of the latter. Having captured the incident on film, the crew begins to question the man’s motives and reflect on the role of cinema in society and the forms it can...
La vie est immense et pleine de dangers
Duration: 1h20Cedric is eight years old. One day, he has stomach pains. During the following six months, he will mostly live in a small unit for children suffering from cancer, on the fifth floor of the Institut Curie in Paris. His words and the story intertwine with those of Steve, Dolores and the other children. Cedric will lead us each time a bit further, through all the trials that he'll face until his r...
With _Antoine_, filmmaker Laura Bari treats us to a sensitive portrait of a six-year-old boy, one like any other, except that he’s blind. We follow Antoine in his classes, playing with friends, skating, and visiting family. We accompany him on imaginary excursions as a detective, listen to him as a radio host, and sit shotgun as he drives his parents’ car. Antoine allows us access back into chi...
With lush and intimate photography, Wojciech Staroń documents his family's move from Poland to Argentina. Struggling to adapt in a foreign country, his 8-year-old son Janek finds a friend in Marcia, a grounded 11-year-old Argentinean of Polish descent. With a strength and determination well beyond her years, Marcia must help make ends meet while holding her family together.
Forty-year-old documentary filmmaker Ross McElwee has a penchant for filming everything around him. Following the announcement of his impending marriage, he turns on his camera to capture life as it unfolds during this new phase of his life. Both in personal and philosophical terms, McElwee reflects through self-narration on life, death, love, family, and parenthood.
Larissa faces the many hardships of post-Soviet life: poverty, an alcoholic husband, and an uncertain future. By chance, she discovers her grandmother’s diary, in which she had recorded a dream that seems strangely connected to her own life. A poetic film about memory, family, and the traces of the past.
Out-Takes From the Life of a Happy Man
New product!"A motion picture composed of brief diaristic scenes not used in completed films from the years 1960-2000; and self-referential video footage taped during the editing. Brief glimpses of family, friends, girl-friends, the City, seasons of the year, travels. Occasionally I talk, reminisce, or play music I taped during those earlier years, plus more recent piano improvisations by Auguste Varkalis....
Filmed over fifteen years, _Deuses de pedra_ (_Gods of Stone_) paints a portrait of a rural community along the historic border between Galicia and Portugal. Through the eyes of Mariana, a young girl growing up immersed in local stories, legends, and folklore, the film explores the ties between past and present, belonging and change. As the story unfolds, the magic of tradition is confronted wi...
"_Garden Pieces_ is a set of three pieces: _Round the Garden_ is literally a look right round a back garden, from a central point, repeated da capo. As a garden, it’s a place of potentiality still, but it is a place all right. _Fliers_ is an animated piece, scratched-on, with added dyes. _Grove_, the longest of the three, studies and contemplates a group of trees planted maybe sixty years ago i...
"Nine linked short films. Memory, chance observation, and the subsuming of one in the other. [...] A poem started in words is continued by the picture, part of another poem is read for the last of the nine. Some images are formed by direct-on-film animation, others are found by the camera." – Margaret Tait
"There’s a general theme of the four elements, earth, air, fire and water – in a different order – air, water, earth, fire and then air again, with all the elements intermingled. But just as a sort of song or even a kind of nursery rhyme. Although I don’t understand musical structure – I can’t really follow the structure of piece of music when I’m listening to it – but I think that film- struct...
"My mother seemed a good subject for a portrait, (she was there), and I thought it offered a chance to do a sort of 'abstract film', in the sense that it didn’t have what you might call 'the grammar of film'. It’s mostly discontinuous shots linked just by subject, in one case by colour, only rarely by movement." – Margaret Tait
Samuel lives in Ponta Negra, a small fishing village on the coast of Paraty, Brazil. Following the boy and his family over the course of six years, the film gradually reveals a more complex reality and its inherent contradictions. The arrival of electricity and tourism crystallizes the dismantling of an idealized paradise, painting a nuanced portrait of contemporary Brazil.
With overconsumption of electric light, the resulting light pollution, and the subsequent loss of the night sky, we have effectively rid our lives of context. By suppressing natural temporalities and obscuring our place within the solar system, we are left with a distorted sense of permanence—the permanence of our structures, institutions, and relationships. _Goodnight Goodnight_ is a mid-lengt...
Forty-year-old documentary filmmaker Ross McElwee has a penchant for filming everything around him. Following the announcement of his impending marriage, he turns on his camera to capture life as it unfolds during this new phase of his life. Both in personal and philosophical terms, McElwee reflects through self-narration on life, death, love, family, and parenthood.
Larissa faces the many hardships of post-Soviet life: poverty, an alcoholic husband, and an uncertain future. By chance, she discovers her grandmother’s diary, in which she had recorded a dream that seems strangely connected to her own life. A poetic film about memory, family, and the traces of the past.
Out-Takes From the Life of a Happy Man
New product!"A motion picture composed of brief diaristic scenes not used in completed films from the years 1960-2000; and self-referential video footage taped during the editing. Brief glimpses of family, friends, girl-friends, the City, seasons of the year, travels. Occasionally I talk, reminisce, or play music I taped during those earlier years, plus more recent piano improvisations by Auguste Varkalis....
Filmed over fifteen years, _Deuses de pedra_ (_Gods of Stone_) paints a portrait of a rural community along the historic border between Galicia and Portugal. Through the eyes of Mariana, a young girl growing up immersed in local stories, legends, and folklore, the film explores the ties between past and present, belonging and change. As the story unfolds, the magic of tradition is confronted wi...
"_Garden Pieces_ is a set of three pieces: _Round the Garden_ is literally a look right round a back garden, from a central point, repeated da capo. As a garden, it’s a place of potentiality still, but it is a place all right. _Fliers_ is an animated piece, scratched-on, with added dyes. _Grove_, the longest of the three, studies and contemplates a group of trees planted maybe sixty years ago i...
"Nine linked short films. Memory, chance observation, and the subsuming of one in the other. [...] A poem started in words is continued by the picture, part of another poem is read for the last of the nine. Some images are formed by direct-on-film animation, others are found by the camera." – Margaret Tait
"There’s a general theme of the four elements, earth, air, fire and water – in a different order – air, water, earth, fire and then air again, with all the elements intermingled. But just as a sort of song or even a kind of nursery rhyme. Although I don’t understand musical structure – I can’t really follow the structure of piece of music when I’m listening to it – but I think that film- struct...
"My mother seemed a good subject for a portrait, (she was there), and I thought it offered a chance to do a sort of 'abstract film', in the sense that it didn’t have what you might call 'the grammar of film'. It’s mostly discontinuous shots linked just by subject, in one case by colour, only rarely by movement." – Margaret Tait
Samuel lives in Ponta Negra, a small fishing village on the coast of Paraty, Brazil. Following the boy and his family over the course of six years, the film gradually reveals a more complex reality and its inherent contradictions. The arrival of electricity and tourism crystallizes the dismantling of an idealized paradise, painting a nuanced portrait of contemporary Brazil.
With overconsumption of electric light, the resulting light pollution, and the subsequent loss of the night sky, we have effectively rid our lives of context. By suppressing natural temporalities and obscuring our place within the solar system, we are left with a distorted sense of permanence—the permanence of our structures, institutions, and relationships. _Goodnight Goodnight_ is a mid-lengt...